Mackie CFX. Ðóêîâîäñòâî ïîëüçîâàòåëÿ Ìèêøåðíûå ïóëüòû Îôèöèàëüíûé è ýêñêëþçèâíûé äèñòðèáüþòîð êîìïàíèè Mackie íà òåððèòîðèè Ðîññèè, ñòðàí Áàëòèè è ÑÍà êîìïàíèÿ A&T Trade. Äàííîå ðóêîâîäñòâî ïðåäîñòàâëÿåòñÿ áåñïëàòíî. Åñëè âû ïðèîáðåëè äàííûé ïðèáîð íå ó îôèöèàëüíîãî äèñòðèáüþòîðà ôèðìû Mackie èëè àâòîðèçîâàííîãî äèëåðà êîìïàíèè A&T Trade, êîìïàíèÿ A&T Trade íå íåñ¸ò îòâåòñòâåííîñòè çà ïðåäîñòàâëåíèå áåñïëàòíîãî ïåðåâîäà íà ðóññêèé ÿçûê ðóêîâîäñòâà ïîëüçîâàòåëÿ, à òàêæå çà îñóùåñòâëåíèå ãàðàíòèéíîãî ñåðâèñíîãî îáñëóæèâàíèÿ. Îòçûâû, çàìå÷àíèÿ è ïðåäëîæåíèÿ îòïðàâëÿéòå ïî àäðåñó synth@attrade.ru © ® A&T Trade, Inc. : Ïðî÷òèòå îïèñàíèå. Âûïîëíÿéòå âñå òðåáîâàíèÿ, èçëîæåííûå â îïèñàíèè. Íå ðàñïîëàãàéòå ïðèáîð âáëèçè âîäû. Ïðè óñòàíîâêå ïðèáîðà íåîáõîäèìî îáåñïå÷èòü öèðêóëÿöèþ âîçäóõà ÷åðåç âåíòèëÿöèîííûå îòâåðñòèÿ. Íå óñòàíàâëèâàéòå ïðèáîð âáëèçè èñòî÷íèêîâ òåïëà, òàêèõ êàê ðàäèàòîðû, áàòàðåè è ò. ä. Ïîäêëþ÷àéòå ïðèáîð òîëüêî ê èñòî÷íèêàì ïèòàíèÿ, óêàçàííûì íà êîðïóñå ïðèáîðà. Îáåðåãàéòå ñåòåâîé øíóð îò ïîâðåæäåíèé. Èçáåãàéòå ïîïàäàíèÿ íà ïîâåðõíîñòü è âíóòðü ïðèáîðà æèäêîñòåé. Ïîëüçóéòåñü óñëóãàìè òîëüêî êâàëèôèöèðîâàííîãî ïåðñîíàëà â ñëåäóþùèõ ñëó÷àÿõ: Ïîâðåæäåíèå ñåòåâîãî øíóðà Ïîâðåæäåíèå ïðèáîðà âñëåäñòâèå ïàäåíèÿ èëè ïîïàäàíèÿ æèäêîñòè âíóòðü ïðèáîðà Íàðóøåíèå íîðìàëüíîé ðàáîòû ïðèáîðà Ïîâðåæäåíèå êîðïóñà ïðèáîðà Ïîïàäàíèå ïðèáîðà ïîä äîæäü. Íå ïðîèçâîäèòå êàêèå-ëèáî ðåìîíòíûå ðàáîòû, çà èñêëþ÷åíèåì îïèñàííûõ â äàííîì ðóêîâîäñòâå. Îáðàùàéòåñü â òåõíè÷åñêèé öåíòð. Âî èçáåæàíèå ïîðàæåíèÿ ýëåêòðè÷åñêèì òîêîì, ïðèìåíÿéòå òîëüêî ðîçåòêè ñ øèíîé çàçåìëåíèÿ. Äàííûé ïðèáîð äîëæåí áûòü çàçåìëåí. Ïðèáîð óäîâëåòâîðÿåò îãðàíè÷åíèÿì, íàêëàäûâàåìûõ íà àïïàðàòóðó êëàññà A è B (Class A/Class B), îïðåäåëÿþùèì ñòåïåíü âîçìîæíîãî ðàäèî èçëó÷åíèÿ â ñîîòâåòñòâèè ñî ñòàíäàðòîì êàíàäñêîãî äåïàðòàìåíòà ñâÿçè (Canadian Department of Communications). Äàííûé ïðèáîð, â êîìáèíàöèè ñ óñèëèòåëÿìè ìîùíîñòè è êîíòðîëüíûìè ìîíèòîðàìè ìîæåò ñîçäàâàòü áîëüøèå óðîâíè çâóêîâîãî äàâëåíèÿ, ÷òî ìîæåò ïðèâåñòè ê îñëàáëåíèþ ñëóõà. Ïîýòîìó èçáåãàéòå ïðîäîëæèòåëüíîé ðàáîòû íà ïîâûøåííûõ óðîâíÿõ çâóêîâîãî ñèãíàëà. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 "Îáíóëåíèå" êîíñîëè. Êîììóòàöèÿ. Óñòàíîâêà óðîâíåé. Ïðîöåññ ìèêøèðîâàíèÿ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Ðàçúåìû MIC. Ðàçúåìû LINE IN. Ðàçúåìû INSERT. Ðàçúåìû STEREO LINE IN. Ðàçúåìû MAIN OUT. Ðàçúåì SUBWOOFER OUT. Ðàçúåìû MAIN INSERT. Ðàçúåìû UTILITY OUT. Ðàçúåìû SUB OUT. Ðàçúåìû AUX SEND. Ðàçúåìû EFX SEND. Ðàçúåìû STEREO EFX RETURN. Ðàçúåìû TAPE INPUT. Ðàçúåìû TAPE OUTPUT. Ðàçúåìû PHONES. Ðàçúåì EFX FOOT. Ðàçúåì LAMP. Ðàçúåì AC POWER INPUT. Âûêëþ÷àòåëü POWER. Ñâåòîäèîä POWER STATUS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Êíîïêà PHANTOM POWER. Ðåãóëÿòîð TRIM. Ñâåòîäèîä ZERO LEVEL. Êíîïêà LOW CUT. Ðåãóëÿòîðû AUX. Êíîïêà PRE FADER. Ðåãóëÿòîð EFX 1 (EXT). Ðåãóëÿòîð EFX 2 (INT). Ýêâàëàéçåð (EQ). Ðåãóëÿòîð PAN. Êíîïêà MUTE. Êíîïêè ASSIGN. Ôåéäåð êàíàëà. Êíîïêà SOLO PFL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Ôåéäåð MAIN MIX. Èçìåðèòåëè óðîâíÿ. Ñâåòîäèîä RUDE SOLO. Ñòåðåî ãðàôè÷åñêèé ýêâàëàéçåð. Ðåãóëÿòîð TAPE LEVEL. Êíîïêà BREAK SWITCH. Ðåãóëÿòîð PHONES LEVEL. Ðåãóëÿòîð UTILITY OUT LEVEL. Ôåéäåðû SUB. Êíîïêè SUB ASSIGN LEFT/RIGHT. Ðåãóëÿòîð AUX MASTER SEND. Ðåãóëÿòîð EFX 1 MASTER SEND. Ðåãóëÿòîð EFX 1 RETURN. Ýôôåêò-ïðîöåññîð EMAC. Ðåãóëÿòîð EFX 2 SEND. Ðåãóëÿòîð TO MAIN MIX. Ðåãóëÿòîð EFFECTS TO MONITOR. Ïåðåêëþ÷àòåëü PRESET SELECT. Ðåãóëÿòîð TIME/RATE. Ðåãóëÿòîð DAMPING/DEPTH. Êíîïêà WIDE. Êíîïêà BYPASS. Ñâåòîäèîä CLIP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Íå ðàáîòàåò êàíàë. Îòñóòñòâóåò ñèãíàë íà âûõîäå. Øóì. Îòñóòñòâóåò ïèòàíèå. Ãàðàíòèéíîå îáñëóæèâàíèåþ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Mackie CFX. Ðóêîâîäñòâî ïîëüçîâàòåëÿ 1 Äàííûå êîìïàêòíûå ìèêøåðû ðàçðàáîòàíû äëÿ ñöåíè÷åñêîãî ïðèìåíåíèÿ â ëþáûõ ïîìåùåíèÿõ: êëóáàõ, êîíôåðåíöèîííûõ çàëàõ, à òàêæå âî âíå ïîìåùåíèé. Ìèêøåðû âêëþ÷àþò â ñåáÿ: íîâèòå íà ìèíèìóì. 5. Ðåãóëÿòîðû EQ è PAN ëèíååê êàíàëîâ óñòàíîâèòå â öåíòð. 6. Êíîïêè ASSIGN 1-2 è MUTE ëèíååê êàíàëîâ íàæàòû. 7. Êíîïêè LOW CUT, PRE FADER è ASSIGN 3-4 ëèíååê êàíàëîâ îòæàòû. 8. Êíîïêè SUB 1 ASSIGN LEFT, SUB 2 ASSIGN RIGHT íàæàòû; âñå îñòàëüíûå êíîïêè SUB ASSIGN îòæàòû. 9. Ôåéäåðû MAIN MIX è SUB óñòàíîâèòå íà ìèíèìóì. 8, 12 èëè 16 ìîíî êàíàëîâ ñî ñëåäóþùèìè ýëåìåíòàìè óïðàâëåíèÿ: · Ðåãóëèðóåìàÿ âõîäíàÿ ÷óâñòâèòåëüíîñòü (îò +6 äî +50 äÁ ìèêðîôîííîãî óðîâíÿ; îò ­15 äî +30 äÁ ëèíåéíîãî óðîâíÿ) · Ôàíòîìíîå ïèòàíèå (îòêëþ÷àåìîå îáùèì âûêëþ÷àòåëåì) · Ñâåòîäèîä èíäèêàöèè íóëåâîãî óðîâíÿ óñèëåíèÿ · Îòêëþ÷àåìûé îáðåçíîé ôèëüòð 100 Ãö · Ðàçðûâ íà ðàçúåìå TRS · 2 ïðå/ïîñò-ôåéäåðíûõ äîïîëíèòåëüíûõ ïîñûëà · 2 ïîñò-ôåéäåðíûå ïîñûëû íà ýôôåêò · 3-ïîëîñíûé ýêâàëàéçåð ñ ïåðåñòðàèâàåìîé "ñåðåäèíîé" · Ïàíîðàìà, ìüþò è øèíû 1-2/3-4 · Ðåæèì ñîëî PFL · 60-ìèëëèìåòðîâûé ìîíî ôåéäåð 1. Ïîäêëþ÷èòå âûõîäû óñèëèòåëÿ ìîùíîñòè ê ãðîìêîãîâîðèòåëÿì. 2. Ïîäêëþ÷èòå âñå êîìïîíåíòû ñèñòåìû ê çàçåìëåííîé ñèñòåìå ýëåêòðîïèòàíèÿ. 3. Ïîäêëþ÷èòå âûõîäû ìèêøåðà MAIN OUT êî âõîäàì ñèñòåìû çâóêîóñèëåíèÿ. 4. Ïîäêëþ÷èòå êî âõîäàì ìèêøåðà ìèêðîôîíû è èíñòðóìåíòû. 5. Âêëþ÷èòå ïèòàíèå àïïàðàòóðû, ïîñëåäíèì âêëþ÷àåòñÿ óñèëèòåëü ìîùíîñòè. 6. Óñòàíîâèòå ôåéäåð MAIN MIX íà îòìåòêó "­30". 7. Óñòàíîâèòå ôåéäåðû SUB 1 è 2 â ïîëîæåíèå åäèíè÷íîãî óñèëåíèÿ ("U"). 2 ñòåðåî ëèíåéíûõ êàíàëà ñî ñëåäóþùèìè ýëåìåíòàìè óïðàâëåíèÿ: · Ðåãóëèðóåìàÿ âõîäíàÿ ÷óâñòâèòåëüíîñòü (îò ­20 äî +20 äÁ) · 2 ïðå/ïîñò-ôåéäåðíûõ äîïîëíèòåëüíûõ ïîñûëà · 2 ïîñò-ôåéäåðíûå ïîñûëû íà ýôôåêò · 4-ïîëîñíûé ýêâàëàéçåð · Ïàíîðàìà, ìüþò è øèíû 1-2/3-4 · Ðåæèì ñîëî PFL · 60-ìèëëèìåòðîâûé ñòåðåî ôåéäåð 1. Ïîäàéòå ñèãíàë ñ îäíîãî èç ìèêðîôîíîâ è èíñòðóìåíòîâ ñ íîìèíàëüíûì óðîâíåì. 2. Óâåëè÷èâàéòå ÷óâñòâèòåëüíîñòü ðåãóëÿòîðîì TRIM äî íà÷àëà âñïûõèâàíèÿ ñâåòîäèîäà ZERO LEVEL. 3. Îòîæìèòå êàíàëüíóþ êíîïêó MUTE. 4. Óñòàíîâèòå ôåéäåð êàíàëà â ïîëîæåíèå åäèíè÷íîãî óñèëåíèÿ (ìåòêà "U"). 5. Ïðè íåîáõîäèìîñòè, îòðåãóëèðóéòå êàíàëüíûé ýêâàëàéçåð. 6. Ïîâòîðèòå øàãè 1 ­ 5 äëÿ îñòàëüíûõ çàäåéñòâîâàííûõ êàíàëîâ. Ìàñòåð-ñåêöèÿ ñî ñëåäóþùèìè ýëåìåíòàìè óïðàâëåíèÿ: · ×åòûðå 60-ìèëëèìåòðîâûõ ìîíî ôåéäåðà ñóáìèêñà · Ðàçäåëüíîå íàçíà÷åíèå ëåâîãî/ïðàâîãî êàíàëîâ äëÿ êàæäîé øèíû · 60-ìèëëèìåòðîâûé ñòåðåî ôåéäåð ãëàâíîãî ìèêñà · Ðàçðûâû íà ðàçúåìàõ TRS äëÿ ãëàâíîãî ìèêñà · Ñèììåòðè÷íûå ñòåðåî ãëàâíûå âûõîäû íà ðàçúåìàõ XLR · Ñèììåòðè÷íûé ìîíî âûõîä ñóáâóôåðà íà ðàçúåìå XLR · 12-ñåãìåíòíûé ñòåðåî ñâåòîäèîäíûé èçìåðèòåëü · Ñâåòîäèîä Rude Solo Light · 9-ïîëîñíûé ñòåðåî ãðàôè÷åñêèé ýêâàëàéçåð (ãëàâíîãî ìèêñà) · 32-áèòíûé öèôðîâîé ñòåðåî ýôôåêò-ïðîöåññîð EMAC ñ ðàçúåìîì íîæíîãî ïåðåêëþ÷àòåëÿ · 2 äîïîëíèòåëüíûõ ïîñûëà ñ ìàñòåð-ðåãóëÿòîðàìè óðîâíÿ · 2 ïîñûëà íà ýôôåêò ñ ìàñòåð-ðåãóëÿòîðàìè óðîâíÿ · Ðåãóëÿòîðû óðîâíÿ äëÿ ñòåðåîâîçâðàòîâ ñ ýôôåêòà · Êíîïêà BREAK SWITCH äëÿ âîçìîæíîñòè çàïîëíåíèÿ ïàóç · Âûõîä íà ëåíòó íà ðàçúåìàõ RCA · Âõîä ñ ëåíòû íà ðàçúåìàõ RCA ñî ñòåðåî ðåãóëÿòîðîì óðîâíÿ · Âûõîä íà íàóøíèêè ñ ðåãóëÿòîðîì óðîâíÿ · Äîïîëíèòåëüíûé âûõîä UTILITY ñ ðåãóëÿòîðîì óðîâíÿ · Ðàçúåìû äëÿ ëàìï ïîäñâåòêè 12  BNC. 1. Íàæìèòå êíîïêè MUTE íà âñåõ êàíàëàõ, êðîìå ðèòì-ñåêöèè (áàðàáàíû è áàñ). 2. Óñòàíîâèòå ïðèåìëåìûé áàëàíñ óðîâíåé ðèòì-ñåêöèè êàíàëüíûìè ôåéäåðàìè. 3. Îòêëþ÷èòå ìüþòû â îñòàëüíûõ çàäåéñòâîâàííûõ êàíàëàõ è óñòàíîâèòå èõ ôåéäåðû. 4. Âûâåäèòå ôåéäåð MAIN MIX â ïîëîæåíèå îïòèìàëüíîé ãðîìêîñòè ïðîñëóøèâàíèÿ. 5. Äëÿ ýêâàëèçàöèè îáùåãî ìèêñà èñïîëüçóéòå ñòåðåî ãðàôè÷åñêèé ýêâàëàéçåð. Òåìáð â êàí� ...